In a recent rehearsal open to press and donors, Klaus Mäkelä, the upcoming music director of the Chicago Symphony Orchestra (CSO), paused the ensemble while working on Dvořák’s Seventh Symphony. This event was one of several appearances by Mäkelä in April and May, showcasing his dynamic energy and attention to detail. While focusing on long musical lines, he also explored areas requiring further development within the orchestra. His ambitious repertoire included Mahler’s Third Symphony, a piece demanding both stamina and precision. Collaborations with vocalists and other musicians highlighted the ensemble's strengths, even as some performances faced challenges.
During these sessions, Mäkelä demonstrated an explorer-like demeanor, emphasizing expansive musical arcs. In the context of Dvořák's work, he encouraged violinists to envision extended melodies, symbolizing the symphony's potential. Meanwhile, his interpretation of Mahler's Third Symphony revealed the orchestra's passionate sound, though it lacked the momentum seen in previous performances. The concert also featured Brahms' Second Piano Concerto, where pianist Daniil Trifonov delivered a technically impressive yet occasionally flawed performance.
Mäkelä's return to Mahler underscored his commitment to exploring complex works. His approach to silence in the first movement added depth, articulating the bleakness inherent in the composition. In contrast, the sixth movement offered a reverent conclusion, linking back to the symphony's introduction with clarity. Collaborations with singers like Wiebke Lehmkuhl and ensembles such as the Chicago Symphony Chorus enhanced the program's richness.
The inclusion of Pierre Boulez's "Initiale" aimed to honor the late composer-conductor's legacy, though its execution fell short. However, principal trombonist Timothy Higgins stood out, contributing significantly despite varying levels of success among other section leaders. His trial period with the CSO appears promising, aligning with Mäkelä's vision for the orchestra's future.
Beyond the performances, the CSO announced additional events enriching their season. These include collaborations with renowned artists like Joshua Bell, John Williams, and Aída Cuevas. Furthermore, Symphony Center's jazz series introduces a guest curator model, featuring concerts by Christian McBride, Herbie Hancock, and Wynton Marsalis, among others.
As the CSO transitions under Mäkelä's leadership, these engagements reflect a commitment to innovation and excellence. Despite occasional setbacks, the orchestra's dedication to exploring diverse repertoires and fostering new talent ensures a vibrant future in classical music performance.
