Experience the Absurdity: Where Politics Meets Punchlines in 'Number 10'
Unveiling 'Number 10': A Glimpse into Britain's Political Comedy-Drama
Steven Moffat and Sue Vertue, the dynamic duo renowned for their work on 'Sherlock,' recently introduced their new political series, 'Number 10,' at Series Mania. This Channel 4/ITVS production, penned by Moffat, delves into the intricacies of the British government. Moffat emphasized that the show transcends political affiliations, noting that extensive research revealed a common thread in governmental operations regardless of the ruling party.
Beyond Satire: The Human Element in High Office
'Number 10' is not conceived as a biting satire, but rather a blend of comedy and serious drama. Moffat's meticulous research unearthed numerous anecdotes about the daily happenings within Downing Street, highlighting the human aspect of governance. He humorously contrasts the UK's modest seat of power with other nations' grander governmental buildings, hinting at the charmingly flawed reality of British political life where even basic amenities like toilets can malfunction, creating a uniquely relatable backdrop for his characters.
The Perils and Paradoxes of Political Life: A Workplace Comedy
Moffat describes the show as a "workplace comedy drama" set in what he calls "the most ridiculous workplace." He illustrates the high-stakes environment with scenarios where a festive office party indiscretion can become front-page news, or a severe hangover could inadvertently trigger international conflict. Despite the gravity of the situations, the series emphasizes that Downing Street is ultimately staffed by ordinary individuals navigating extraordinary circumstances. Moffat reveals that many of the stories, though disguised, are rooted in truth, emphasizing that the show's focus is less on political ideology and more on the continuous state of crisis and the interesting characters it produces.
A Partnership Forged in Creativity: The Enduring Bond of Moffat and Vertue
Vertue expressed immense pride in 'Number 10,' praising its recent completion. The discussion also naturally turned to their long-standing personal and professional partnership, which has given rise to iconic series like 'Dracula' and 'Sherlock.' They recounted the unconventional casting of Benedict Cumberbatch as Sherlock, noting the BBC's initial skepticism about his "sexy" appeal, a concern they quickly overcame. The story of Martin Freeman's casting as Watson, initially perceived as grumpy due to a stolen wallet, further showcased their ability to see past initial impressions.
The Evolution of a Creative Couple: From 'Coupling' to 'Sherlock'
Reflecting on their early days, Moffat playfully acknowledged Vertue's greater prominence in the industry when they first met, attributing it to her work on shows like 'Mr. Bean.' He humorously dismisses the notion of challenges in working with one's spouse, equating it to the difficulties of raising children, and jokes about the practical benefit of needing only one hotel room. Their serendipitous meeting at the Edinburgh TV festival led to an instant connection, with Vertue playfully admitting to "nabbing" Moffat after a year-long promise to another producer. Their series 'Coupling' mirrored aspects of their own relationship, with Moffat noting how his writing evolved from the perspective of a single man to that of a married man, incorporating the everyday realities of a committed relationship. He humorously recounted Vertue's straightforward approach to ending past relationships once they became exclusive, emphasizing her efficiency.
The Power of Humor: A Guiding Principle in Storytelling
Moffat firmly believes that humor is a crucial element in storytelling, asserting that "if it's boring, stick some jokes in it." He views real life as inherently funny, contrasting it with drama, which he calls a "lie." Citing the original 'Sherlock' stories, he highlights Holmes's witty nature and Watson's perpetual astonishment as a source of "glorious stuff." He advises writers to always aim for humor, sexiness, and beauty, stating that "humor is truth on speed." Moffat's creative process involves staring out the window until he makes himself laugh, a habit that once led his son to explain to friends that his father wasn't mad, "he's just writing."
