The town of East Aurora has become a vibrant hub for classical music enthusiasts with the return of its cherished chamber music festival. This year, under its new name, the East Aurora Chamber Music Festival (EACMF), it continues to captivate audiences with an exquisite lineup of performances. The series consists of four concerts held at St. Matthias’ Episcopal Church, each night presenting diverse ensembles and timeless works that celebrate the intimacy and intricacy of chamber music.
On Friday, June 6th, the inaugural concert titled "Short Stories" unveiled a remarkable rediscovery: a piece by a teenage Mozart that had been lost for centuries. Known as "Ganz Kleine Nachtmusik," this lesser-known work features seven brief movements, totaling approximately twelve minutes. Discovered recently in Leipzig's municipal libraries, it was first performed publicly last September. The performance showcased exceptional talent from the Buffalo Philharmonic Orchestra, including Anton Shelepov, Amy Licata, and Eva Herer, all seasoned chamber musicians. Their rendition highlighted the charm and complexity of Mozart's composition, setting the tone for the entire festival.
Subsequent evenings featured equally compelling programs. A standout moment occurred during the second concert when Anna Mattix, renowned for her English horn performances, returned to her roots with Arnold Bax's Oboe Quintet. Accompanied by fellow BPO members, she brought a deeply personal connection to the piece, having discovered it as a child amidst Borders Books' oboe section. Another highlight included Roland Kato's arrangement of Maurice Ravel's "Mother Goose Suite," performed by a quintet led by Amy Licata and Mariko Kaneda, among others. These performances exemplify the collaborative spirit and technical prowess that define chamber music.
Through these concerts, the EACMF not only preserves classical traditions but also nurtures future generations. Each evening begins with pre-concert performances by local high school students mentored by festival musicians. Such initiatives underscore the importance of fostering young talent and ensuring the continuity of musical heritage. As we look forward to upcoming events, including tributes to Rossini, Arensky, and Bach, it becomes clear that chamber music is more than just entertainment—it is a celebration of human creativity and connection. Engaging both seasoned artists and aspiring musicians, the festival reminds us of the universal appeal of live performance and the joy derived from shared artistic experiences.
